Suddenly, last Summer // happy holidays!
OLIVER MESSEL// Stage Designers (13 January 1904 – 13 July 1978)
Oliver Messel’s set design for Suddenly Last Summer
CHRIS KILLIP WHAT HAPPENED // great britain 1970/1990
Paris, 12 May to 19 August 2012
© Chris Killip
The BAL inaugurates a British season with two exhibitions devoted to three major figures of british photography and cinema : Chris Killip and John Smith in the Spring, Paul Graham in the Fall.
Exhibition // 1917
Centre Pompidou METZ
26 May to 24 September 2012
1917 addresses the theme of artistic creation in wartime, on the scale of a single “impossible year ” (Jean-Jacques Becker, 1917 en Europe : l’année impossible. Bruxelles, Éd. Complexe, 1997) when the world floundered in endless, devastating conflict.
It will feature Picasso’s monumental work, the overture curtain for the ballet “Parade” which has not been shown in France in over twenty years.
Exhibition // Asger Jorn (1914-1973)
Addio anni 70 // Arte a Milano 1969-1980
Alfa Castaldi, La macchina à manger les huîtres, Milano, 1972
Vincenzo Agnetti, Progetto per un Amleto politico, 1973
Daniel Spoerri
Exhibition // ANRI SALA
Centre Pompidou | Galerie Sud
May 3 | August 6 2012
Conceived by the Pompidou Centre, this exhibition is a work in itself, a symphony, composed of objects, photographs and four recent films forming a one-hour loop. The exhibition leads the spectator from Sarajevo to Berlin, from Bordeaux to Mexico City. Sound and music are omnipresent; this original work by the artist places the visitor in a music box, between fiction and reality.
© Milomir Kova
Ellsworth Kelly Exhibition
PRESS RELEASE
This will be Kelly’s first show of paintings in Paris in 20 years, since his 1992 exhibitin at the Galeries Nationales du Jeu de Paume which surveyed the early works he made while living in Paris from 1948-54.
The exhibition will include an installation of four 2-panel paintings, made this year, each consisting of a colored curve in relief against a white panel. Installed on the four walls of the gallery they read as a singular, iconic statement in a progressive spectrum of red, yellow, blue and green.
Kelly has often said he takes inspiration fon observing the world around him, distilling to abstraction visual fragments like the shape of a leaf, an architectural vault, the bend of a page or the curve of a body. Throughout his long career Kelly has consistently revisited the curve in his most iconic paintings, drawings and sculputures. Predecessors for the curved reliefs on view here can be found dating back to early collages, reliefs and paintings made during the six years he spent living and working in Paris after World War II.
Galerie Marian Goodman, Paris | May 16 – July 13, 2012.




























